– CARL MARIA VON WEBER –

THEATER PASSAU

“Marion Seidel (Agatha) possesses a steady soprano that tends toward the dramatic which is particularly suited for the role.”

PASSAU FEUILLETON
Hermann Schmidt

THEATER PFORZHEIM

“The Agatha from Marion Seidel was delivered with lyrical intensity and urgency.”

FRANKFURTER RUNDSCHAU
Karl-Heinz Jungheinrich

– ANTONÍN DVORÁK –

THEATER PFORZHEIM

“Marion Seidel offered a dark-timbred sensuously vibrating soprano as the Foreign Princess.”

STUTTGARTER NACHRICHTEN

“Marion Seidel has full resounding volume and a depth of nuance as the Foreign Princess.”

DER ENZTÄLER

– GIUSEPPE VERDI –

THEATER PFORZHEIM

“Marion Seidel sang the role of Elisabeth with accomplished vocal technique and substantial musicality.”

MITTELBADISCHE PRESSE
Fritz Wintterlin

“Verdi’s dramatic genius made manifest!”
“In the difficult role of Elisabeth Marion Seidel shows us the queen’s anguished soul and depicts her monologues with great dramatic tension.”

WAIBLINGER KREISZEITUNG
Matthias Wai

– PIETRO MASCAGNI –

FUGGER MANSION KIRCHHEIM

“Ceder Hall turns into an opera house!”
“One felt transported to the arena in Verona as Marion Seidel sang Santuzza’s highly dramatic aria, captivating in articulation, gesture and vocal power.”

AUGSBURGER ALLGEMEINE ZEITUNG
Erna Aumann

“Emotionally loaded and dramatic! Most impressive was the powerful soprano Marion Seidel as Santuzza, who also as an actress brought her role to life with dramatic intensity.”

MINDELHEIMER PRESSE
Eva Maria Frieder

– FRANCIS POULENC –

ANTHROPOSOPHISCHES THEATER KASSEL

“Marion Seidel has at hand a tremendously intensive tone of despair which she combines with girlishly fragile body language for a highly convincing solo evening.”

HESSISCHE ALLGEMEINE ZEITUNG
Siegfried Weyh

DARMSTADT

“Marion Seidel’s and Irina Loskova’s talents were brilliantly displayed to an amazed audience in the filled hall.

The pianist accompanying the soprano Marion Seidel, a native of Darmstadt, who confidently sang songs most notably
by Johann Brahms.”

LIEPAJA NACHRICHTEN
Januar 2015

THEATER MARL

“Marion Seidel presented herself with bravura, vocally in top form and expressive to the smallest detail. The urgency disclosed itself perhaps most clearly in the “Liber scriptus proferetur.”

WESTDEUTSCHE ALLEGEMEINE ZEITUNG

KARLSRUHE-LINKENHEIM

“Wagner shakes the community center!”
“Marion Seidel won us over with her convincing interpretations of the arias “Dich teure Halle” (Tannhäuser, Wagner), “Vissi d’arte” (Tosca, Puccini) and “Pace, pace mio Dio”
(La forza del destino, Verdi).”

STUTTGARTER NACHRICHTEN

HALLE, WESTFALEN

“The dramatic soprano, Marion Seidel, delightfully gave voice to “Santuzza” when she rose to “Voi lo sapete, o mamma” from the aria Cavalleria rusticana.
Several times that evening she was rewarded by shouts of “Bravo” from the audience.”

HALLER KREISBLATT

FEIERABENDHAUS LUDWIGSHAFEN

“With powerful fire in her throat, Marion Seidel brought the first half to an energetic end with the Czardas Hör ich Cimbalklänge, wird um Herz mir enge.”

DIE RHEINPFALZ
Rainer Köhl

ITALY

“The concert consisted mostly of works by German composers such as Wagner, Strauss and Brahms, and finally our Verdi from Busetto (with an aria from Don Carlos) and brought the Ascoli debut of an accomplished soprano. Marion Seidel, young, beautiful, elegant, and above all with a voice of sweet and passionate timbre, balanced in tone, which conquered the hearts of those present.”

IL MESSAGIERO
Bruno Squarcia